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SENSATIONAL OP • 68th CONCERT SEASON

classical pops SERIES

Saturday, November 30, 2024 • 8pm | Regent Theatre Oshawa

a quick look

Sergey Smbatyan

NUTCRACKER • A HOLIDAY SEASON TRADITION!

The magic of Tchaikovsky’s celebrated Nutcracker comes to Ontario Philharmonic • This magisterial and iconic ballet for the Holiday Season is presented in its full orchestral version with engaging multimedia projections, giving you the opportunity to follow the story plot while immersed in the glorious sounds of the orchestra.

Piotr Ilyich TCHAIKOVSKY

Nutcracker• Ballet in 2 Acts  Op.71
Guest Conductor: Sergey Smbatyan
With image projections by Alain Sauvion
Act I
INTERMISSION

Act II

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SERGEY SMBATYAN  • biography

Born into a family of musicians, Sergey Smbatyan took his first steps in the world of classical music under the guidance of her grandmother Tatyana Hayrapetyan, a distinguished violin teacher, followed by his education at Komitas State Conservatory of Yerevan and Moscow State Tchaikovsky Conservatory.

After graduating from the conservatory, Sergey pursued further studies in conducting under Yuri Davtyan. Not long after, he founded the Armenian State Symphony Orchestra at the age of 18, which he continues to lead as Artistic Director and Principal Conductor to this day. In 2009, he earned his PhD in Fine Arts from the Institute of Arts of the Armenian National Academy of Sciences Subsequently, in 2012, he furthered his academic journey at the Royal Academy of Music, studying under Sir Colin Davis. His studies under the guidance of Riccardo Muti and Valery Gergiev significantly influenced and enhanced his proficiency in conducting.

Sergey Smbatyan's conducting career was highlighted by his debut performance with the London Symphony Orchestra at Windsor Castle, under the auspices of Prince Charles, now HRH Charles III. The impressive success of this concert led to a subsequent invitation, where he conducted the Philharmonia Orchestra at Buckingham Palace.

Sergey Smbatyan's extensive international involvement as a conductor and his distinctive appreciation for contemporary classical music has led to a wide array of collaborations with globally acclaimed composers, such as Krzysztof Penderecki, Tigran Mansuryan, Arvo Pärt, Gia Kancheli, and many others. Among such notable endeavors were the large-scale projects conducted with John Malkovich in several countries of Latin America and Asia. Led by Sergey Smbatyan and accompanied by the Armenian State Symphony Orchestra, the iconic Hollywood artist delivered a unique musical performance in Yerevan, presenting a reading of excerpts from “The Book of Lamentations” by the medieval Armenian poet Grigor Narekatsi.

In recent concert seasons, Sergey Smbatyan has served as a guest conductor with leading orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Warsaw Philharmonic Orchestra, the Dresden Philharmonic Orchestra, the Israel Philharmonic Orchestra, the Prague Radio Symphony Orchestra, the Mariinsky Theatre Symphony Orchestra, the Slovak Philharmonic Orchestra, and many others. In the 2022-2023 concert season, Sergey Smbatyan embarked on a concert tour in the United Kingdom with the Romanian National Philharmonic Orchestra. In 2023, he also led the Armenian State Symphony Orchestra on a grand UK tour, dedicated to Aram Khachaturian’s 120th anniversary.

Highlights of 2024/25 season include concerts with the Madrid Philharmonic Orchestra, Ontario Philharmonic, the Krakow Philharmonic Orchestra and the Shanghai Philharmonic Orchestra.

PROGRAM NOTES
by John Green

Piotr Ilyich Tchaikovsky (1840-1893)
The Nutcracker

This great Russian composer needs little introduction. There is not a music lover alive that does not recognize most, if not all, of his famous melodies. They have been revised and modified for everything from movie backgrounds to television commercials and cartoons, even as product endorsements. Perhaps the most recognizable of all his enormous outpouring is the music of the ever-popular Christmas ballet The Nutcracker with its sugar plum fairies and waltzing flowers. Volumes have been written about this wonderful score performed literally thousands of times each year around he world.

An adaptation of E.T.A. Hoffman’s tale, Tchaikovsky completed the score in 1882, the year it was first presented in St Petersburg. The suite does not have much music in it that actually carries the story’s plot; however, this shortfall remains insignificant in light of its wonderful melodies.

The story of the Nutcracker’s genesis has told us that right from the beginning Tchaikovsky was never happy with the work’s music or idea. He complained about “the prospect of…wearisome work, agonizing effort” and composition that is “colorless, dry, hasty, and wretched.” If it had not been for his publisher saving the scores from destruction, the now universally loved Nutcracker would never have seen the light of day.

An interesting side note, besides the composer’s attention to tone colour, was his insistence on using the celesta—a new instrument of his day constructed from a steel bar and played from a keyboard.

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