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INSPIRATION • A BREATHTAKING SYMPHONIC JOURNEY • 70th CONCERT SEASON

december 2026 • Classical FavoUrites Series  

Saturday, December 12  2026 • 7:30pm | Regent Theatre (Oshawa)

NUTCRACKER • A HOLIDAY SEASON TRADITION!

Iconic, quintessential, the magic of Tchaikovsky’s celebrated Nutcracker returns to Ontario Philharmonic • This magisterial ballet for the Holiday Season is presented in its full orchestral version with engaging multimedia projections by Alain Sauvion, giving you the opportunity to follow the story plot while immersed in the glorious sounds of the orchestra • OP welcomes young Canadian conductor Léa Moisan-Perrier in her debut with Ontario Philharmonic

Piotr Ilyich TCHAIKOVSKY

The Nutcracker, Op.71 • The celebrated ballet score in Concert-Version
Guest Conductor: Léa Moisan-Perrier
With image projections by Alain Sauvion
Act I
INTERMISSION

Act II

LÉA MOISAN-PERRIER  • biography

Artistic Director and Conductor of the Orchestre symphonique de l’Estuaire, Léa Moisan-Perrier is recognized for her vibrant stage presence, the sensitivity of her interpretations, the originality of her programming, and her strong communication skills.

After two years in the conducting academy of the Orchestre Métropolitain, she was appointed assistant conductor to Yannick Nézet-Séguin for the 2025–2026 season. As part of this valuable collaboration, she assists him in a wide range of repertoire, both symphonic and operatic, including Mahler’s Symphony No. 3, Verdi’s Aida, and Wagner’s Tristan und Isolde. She will also make her debut with the Orchestre Métropolitain in December 2025.

Frequently invited to conduct leading ensembles, she has collaborated with the Orchestre symphonique de Laval, the Orchestre classique de Montréal, and the Orchestre symphonique de Sherbrooke.

Her experience also includes significant assistant conductor roles alongside Jacques Lacombe at the Opéra national du Rhin (2018), Jean-Marie Zeitouni at the Opéra Orchestre national de Montpellier (2023), and Yannick Nézet-Séguin with the Orchestre Métropolitain (2024). She has taken part in several masterclasses, including with the Orchestre symphonique de Montréal and Rafael Payare (2024), and she currently serves as Associate Conductor with the Women in Musical Leadership program.

In addition to her orchestral endeavors, Léa Moisan-Perrier has an outstanding career as a choral conductor. Since 2022, she serves as the Conductor of the prestigious Choir of the Church of St. Andrew and St. Paul in Montreal. Under her dynamic and refined leadership, the ensemble presents an ambitious repertoire, featuring collaborations with Ensemble Caprice and the Musicians’ Association of the Orchestre symphonique de Montréal. From 2017 to 2023, she served as Artistic Director of the Chœur des enfants de Montréal, and from 2015 to 2022, she founded and led the vocal ensemble Les Voix parallèles.

She holds a Master’s degree in orchestral conducting from the Conservatoire de musique de Montréal, where she studied with Jacques Lacombe and Jean-Marie Zeitouni. She also holds a Master’s in choral conducting from the Université de Sherbrooke, a Bachelor’s in classical voice from the Université de Montréal, and a Bachelor’s in piano from the Conservatoire de musique de Montréal. She is the recipient of several awards, including the Moulin Seigneurial Fellowship (2016), the Iwan Edwards Award (2017), and a Conservatoire Excellence Scholarship (2022).

PROGRAM NOTES
by John Green

Piotr Ilyich Tchaikovsky (1840-1893)
The Nutcracker

This great Russian composer needs little introduction. There is not a music lover alive that won’t recognize most, if not all, of his famous melodies. They have been revised and modified for everything from movie backgrounds to television commercials and cartoons, even as product endorsements. Perhaps the most recognizable of all his enormous outpouring is the music of the ever-popular Christmas ballet The Nutcracker with its sugar plum fairies and waltzing flowers. Volumes have been written about this wonderful score performed literally thousands of times each year around he world.

Tchaikovsky completed The Nutcracker score in 1892, the year it was first presented in St Petersburg. The plot is an adaptation of Alexandre Dumas's 1844 short story The Nutcracker, itself a retelling of E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King about a girl who befriends a nutcracker that comes to life on Christmas Eve and wages a battle against the evil Mouse King.

The story of The Nutcracker’s genesis has told us that right from the beginning Tchaikovsky was never happy with the work’s music or idea. He complained about “the prospect of…wearisome work, agonizing effort” and composition that is “colorless, dry, hasty, and wretched.” If it had not been for his publisher saving the score from destruction, the now universally loved The Nutcracker would never have seen the light of day. Its wonderful melodies permeate the world’s concert halls year after year.

An interesting side note, besides the composer’s attention to tone colour was his insistence on using the celesta—a new instrument of his day constructed from a steel bar and played from a keyboard.
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